Studio AYMAC is a leading name in audiovisual production in Colombia and LATAM, renowned for its creativity and originality. With over 8 years of experience, May Mc’Causland have guided the company with a transformative vision, producing innovative content across a variety of genres and formats. Their commitment to excellence is evident in their collaboration with top creative talent, strategic partnerships with editorial entities, and active involvement in key industry associations. Every project undertaken by Studio AYMAC reflects their dedication to bringing imagination to life, embodying the belief that EVERYTHING THAT IS IMAGINED, IS POSSIBLE!
OUR TEAM
MAY MC’CAUSLAND
CEO, Co-Founder & Executive Producer
GUSTAVO ANGARITA JR.
Co-Founder
JULIA G. ÁVILA
Chief of Contents
OUR POSTS
AI DIDN’T MAKE CREATIVITY LESS VALUABLE: It Made Judgment More Valuable
For a long time, what separated one creative from another was execution. Knowing how to shoot with technical polish, how to edit with precision, how to write with real craft — those were rare skills, and rarity was the filter that decided who got to produce content and who didn’t. AI broke that filter. Today, anyone with the right tools can generate a polished image, draft a competent script, or edit a video to a technical standard that used to take years to reach.
THE 7 QUESTIONS EVERY AUDIOVISUAL PROJECT SHOULD ANSWER BEFORE IT GROWS
What gets pushed to the back burner has a way of showing up again — right when the project starts gaining traction. When a distribution opportunity appears. When a co-production becomes possible. When a platform comes knocking, a strategic partner surfaces, or a new exhibition window opens up.
There’s a pattern that repeats itself more often than it should: most intellectual property challenges don’t emerge when a film is just getting off the ground. They emerge when it starts to break through.
By that point, the questions that once seemed secondary begin to define the project’s future. Here are seven worth answering before you get there.
THE PART OF FILMMAKING NO ONE EXPLAINS TO NEW DIRECTORS
The problem with new directors isn’t a lack of ideas. It’s that they move too quickly into projects they don’t yet know how to handle; they want to make a film before understanding what it means to carry one for two or three years without the project, the team, or themselves collapsing under the weight. That’s rarely spoken about honestly.
WE HAVE HIGHLY SKILLED HUMAN TALENT!